Semifinal Concert 1- Recital 2022 Cliburn Competition
소스 코드
- 게시일 2022. 06. 07.
- The Sixteenth Van Cliburn International Piano Competition (June 2-18, 2022) will be streamed live online from the first note to the announcement of the new gold medalist. Join us today for the Semifinal Round Recital as 2 of the 12 semifinalist perform 60-minute recitals at Bass Performance Hall.
Read Competitor Bios here: cliburn.org/2022-competitors/
See the full Competition schedule: cliburn.org/2022-cliburn-comp...
Vote for the Audience Award: cliburn.medici.tv/en/vote/
7:30 p.m. Yutong Sun, China, 26
ALBÉNIZ “Corpus Christi en Sevilla” from Iberia, Book I
CHOPIN Polonaise in F-sharp Minor, op. 44
LYATOSHYNSKY Prelude, op. 44, no. 4
LYATOSHYNSKY Prelude, op. 38, no. 3
PROKOFIEV Sonata No. 8 in B-flat Major, op. 84
20-minute intermission
8:50 p.m. Masaya Kamei, Japan, 20
BEETHOVEN Piano Sonata No. 21 in C Major, op. 53 (“Waldstein”)
LISZT Paganini Etude No. 3 “La campanella”
RAVEL Gaspard de la nuit
BALAKIREV Islamey: Oriental Fantasy - 음악
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Masaya Kamei
1:31:15 BEETHOVEN - Piano Sonata No. 21 (Waldstein)
1:53:34 LISZT - La Campanella
1:59:03 RAVEL - Gaspard de la nuit
2:20:28 BALAKIREV - Islamey
Magnificent!
Bravo!
Fabuleux Beethoven !
Absolutely astounding Ravel!!!!
Kamei is Just incredible ! For sure a potential winner !.....
YUTONGSUN!
Bravissimo, Masaya!
You nailed it!
A Fabulous Gaspard followed by a stunning Islamey!
Unreal!
Kamei had a hell of a programme ! I don't know how he finished it in one piece ...
亀井くんのピアノを聴くチャンスがたくさんあるってだけで日本人に生まれて良かったと思える
Youtong sun was fantastic also very poweful contemporary music 🎶
This is an Impossible program from Masaya. Great job!
Excellent dynamic range, paying attention to details.
Bravo Yutong sun
Giant. This is a reference not only to his Islamey virtuosity but to the entire program.
Very great performance by Kamei...fantastic !!!
S Korea (pop. 52m) 4 semi-finalists
USA (pop. 330m) 1 semi-finalist
- the times they are a changing!
Incredible recital, Masaya!
Wow Mr Kamei was able to play an almost impossible program in an incredible way! I am beyond speechless, bravo Maestro!!
Kamei is a star. He inhabits the compositions, and constructs his own world that is respectful of the composer, but totally authentic to himself. The Ravel was extraordinary! Bravo!
Bravo Masaya Kamei, his set was the best performance of the competition so far.
He has a tendency to sound metallic when loud.
@@bifeldman i heard this from every competitor. its the fault of the engineers.
He actually played Islamey better in another video from 2 years ago. Understandably, he was a little tired after that demanding program.
IMO, his other video from 2 years ago was faster and much more precise.
Kamei's fingers interface marvelously with the keyboard. The player and the piano are connected, unlike many others who "use" the keyboard and the piano. "Gaspard" connotes a gentle/healing gem, BTW. Now listen to it again. If this isn't spot-on, I'm a blue-nosed gopher. Now I see why Kamei chose this piano. It's not optimal for "La campanella", but he could extract enough to convey the notion. He wanted to peg the meter on the Ravel, and this one had the necessary control for the dynamics and mid-range texture.
His ability to play everything and anything from pp to ff is unique among these pianists. Especially the rapid runs in the Liszt. He plays them at pppp.
His technique lets him play whatever he wants. Therefore he can change his interpretation anytime. And gives him the potential to be a great pianist.
Loved Kamei's playing - I have been playing his program over a couple of times now and I'm not tired of it. He listens to everything he plays. His soft notes so clear and expressive! No over the top expressions. Everything was just beautiful and wonderfully expressive. Whether he wins or doesn't, I'll be listening to his music! Keep up your wonderful work young man - you have such a bright future ahead!!!
亀井さん！凄すぎて言葉も出ません✨😭伝説のコンサートです🎉
What a privelege to witness these performers...thank you so much Cliburn for this!
BRAVO!
Bravi!
I really enjoyed both performances, but I particularly loved Masaya’s Beethoven. He used a light touch and slightly softer dynamics which made it really breathe! Sadly, some people just like to hammer Beethoven, so it was so great to hear someone play it where each note maintained clarity throughout. 🎶👏🏻💗
I was thinking the same thing, This guy is truly a musician and artist.
His Beethoven is enveloping.
Masaya Kamei, a winner for me!
Bravo，Yutong Sun!!!
Kamei au-delà de tous les qualificatifs !
I like this. So gorgeous!!
I am still wondering why Masaya Kamei did not get to the final round!! However, Yunchan Lim certainly deserves the gold medal!
1:29:47 🐢
1:53:36
I played Balakirev and Ravel on several concerts, and it is always difficult, mental focus, preparation, really rollercoaster of pianisam. To play this pieces live, on such major competition as Cliburn, and on such spectacular way is so admirable, fantastic 👍
Yutong Sun has great skill and very colorful on his performance, incredible pianist.
孙老师最后的普罗科菲耶夫太好了哇！
Kamei!!! bravo Japanese style perfection.
Most bell like elegant Campanella since Earl Wild...
I enjoyed listening to Yutong Sun's and Masaya Kamei's performances.
Una Waldstein così non si sentiva da decenni....
Mr. Kamei plays with incredible refinement and polish. Somehow the improvisational spirit of Beethoven doesn’t mesh with success in competitions.
Truly unbelievable
Unbelievable?
@@adrianwright8685 in a good way
Всё волшебно и замечательно кроме рекламных пауз:они невыносимы,особенно посредине выступлений !!!
Lyatoshynsky is so wonderfull composer! I have never heard this preludes before. They are beautiful! Especially the first one 😍
Bravo! youtong sun
1:31:05
Masaya Kamei's program is very clever as it is designed from head to toe to showcase the technical development of the piano from the famous octave glissandi in Beethoven to Gaspard and Balakirev trying to one up Ravel's Gaspard. If only there was enough time for a Ligeti Etude. I am afraid Sun doesn't shine so good in this round, though the preludes are certainly beautiful.
*Ravel was to up Balikerev, not as I mentioned.
isn’t it the other way around Ravel trying to one up Balakirev?
@@da96103 Ahh yes!
Albeniz was marvellous. Felt like I was in Seville.
Who else still thinking about that mozart missed note
The focus and sound on the live stream was deplorable. This is a tad cleaned up.
42:25 doggo bark
what is the music in 0:00~5:20? it's beautiful !good luck to all competitors!
I believe it is 2017 Gold Winner Yekwon Sunwoo playing Rumble on the Last Love-Duet from Der Rosenkavalier
@@MrsRaro thank u! Its beautiful
Bravo! youtong sun 🌳
11:22 ALBÉNIZ “Corpus Christi en Sevilla” from Iberia, Book I
20:38 CHOPIN Polonaise in F-sharp Minor, op. 44
32:08 LYATOSHYNSKY Prelude, op. 44, no. 4
36:10 LYATOSHYNSKY Prelude, op. 38, no. 3
43:00 PROKOFIEV Sonata No. 8 in B-flat Major, op. 84
1:19:15 interview
Really well-done! Bravo! youtong sun
I love all pieces he played.
Choosing Iberia is manly choice
Bravo Yutong!!!🥰🥰🎉
I think its better to stick to the repertoire everyone knows . Albeniz and Granados and DeFalla are not great choices for unknown pianists to play. Play dastuff everyone knows or maybe we hear the playing better when we really have to listen for what is coming.We've heard Gaspard and Campanella and the Beethoven Sontas so much we may not really be litening but playing our fave perf in our heads !
42:25 🐶
lmao his laugh
😂😂😂
9:45 Lmao I like how the first guy goes out of his way to prepare a diversely curated, handpicked, and somewhat off-the-beaten-path program of music - and the commentators instead focus on the one Chopin piece he chose
In contrast, M. Kamei played great, but his program is literally the safest (not in terms of ease,-but in terms of advancing purely because you played difficult pieces), least creative, most generic set of virtuoso showpieces.
I know that it's a competition, and I've won enough myself to know that they're there to win, but I like seeing participants use this platform to boldly introduce us to less-familiar works - and neglected virtuosic music.
It's also good as a competitor because your judges don't have as much of a basis for how to judge the Albeniz Iberia, whereas we have all heard Waldstein 10,000 times and have a very particular idea of how best to play it.
I wish we saw less Gaspard de la Nuit - more Le Tombeau de Couperin. Less La Campanella, more Lyapunov Transcendental Etudes. Less Beethoven 21/23, more Hummel Sonatas. Less Islamey-more Schmitt Ombres.
And when a competitor goes out of their way to learn something niche, I wish the commentators would at least do some research or bring our attention to those pieces - so we learn about something we're not familiar with.
agtree
If you have it, show it! There are 1000’s of conservatory pianists who would love to play Gaspard well. Let alone an effortless Islamey right after an excellent Gaspard - back to back, in front of a massive audience!
Even among this talented group, he stands out.
I didn’t realize Gaspard snd Islamey are generic. If i had the technique to do them justice, I will run, not walk to the next big piano competition!
And win!
Just my opinion, since this is a competition, I prefer for the audience to restrain their applause until the last piece is played , the way it is done at the Chopin competition and should be for any competition. The “ restraining applause “ element creates a tension that is broken only at the end of the performance releasing a great relief from the audience. At least this is what I felt throughout watching the Chopin 2021 competition. Also it allows the contestant to focus 100% on their performance until the very end without any interruption/distraction.
Agree. It’s a competition, not a concert.
@@DK-om9df exactly!👍🙌
really, agree
Disagree. The Chopin approach works well because all the pieces are Chopin. But at any other competition...it would be so strange to have a program full of variety and big works from different eras...and no applause that the works would normally get. Besides, these pianists are aiming for concert careers in the real world. In the real world, they definitely applaud after each work. (and sometimes in spots they are not supposed to!)
@@DK-om9df Yeah, but these pianists are preparing for concert careers...not competition careers.
Kamei's timing, color palette..his technique remind of Horowitz
I meant Y. SUN!!!!!!
，
Too much pedal with Yutong Sun, shame.
I have to say I found Kamei’s Beethoven (Waldstein) quite unconvincing, in many instances he missed dramatic opportunities presented by the composer by playing “cutesy” with dynamics. It sounded frankly quite sophomoric. Last movement was the best of the 3 and still, the Prestissimo at the end wasn’t a fitting conclusion of a huge statement but rather some fast passages lacking energy. It’s a pity, I liked his previous rounds a lot. He is young and extremely capable, no argument about that but part of this program wasn’t to his strengths. Having a dazzling technique is great but it should always be in the service of the music, i.e. secondary. Islamey and La Campagnella - obviously the “money makers” but I heard little substance in this performance.
I disagree. I found his Waldstein spell biding. And Ive been playing the Waldstein for a while.
I also think his gaspard and Islamey were excellent.
This dude may win this competition…
On the contrary, I find his Waldstein most enveloping. He incorporated even more colors and nuances than what I heard from Brendel.
He has tremendous potential.
I play this piece. IMO, his interpretation is second to none.
Big mistake at 55:48 😮
What are you talking about
Did he go back and restart the passage??
Pleaseeee, don't point this things out (and less at a competition). We pianists suffer a looooot for these silly mistakes...